LA County High School for the Arts performs at Day 1 of the Blue Note Jazz Festival at the Hollywood Bowl on June 14, 2025.
Occidental College and LA Phil Launch New Summer Internship Program

The program will offer Occidental students an exclusive opportunity to intern with either the Hollywood Bowl, Walt Disney Concert Hall, or The Ford.

Read article
two Occidental students in a late afternoon sun-drenched scene on top of Fiji Hill at sunset
Introducing Early Action at Occidental

A new, nonbinding option that gives students more time and flexibility in the college decision process.

Learn about Early ActionSee application deadlines
Occidental College students looking up at the sky amid the jungle of Costa Rica
Ideas in the Wild

At Occidental, faculty mentorship and immersive learning take you out of the classroom, into LA, and around the world.

Take learning further

Come Undone Movie 2010 -

Silvio Soldini’s 2010 Italian drama Come Undone (originally titled Cosa voglio di più ) stands as a raw, compromising, and deeply human exploration of modern infidelity. Unlike Hollywood romances that often glamorize extra-marital affairs or vilify the participants, Soldini presents a gritty, visually naturalistic look at the economic and emotional toll of forbidden passion.

The 2010 Italian romance drama Come Undone (originally titled Cosa voglio di più ) is a raw, striking exploration of infidelity, working-class struggles, and the overwhelming weight of passion. Directed by Silvio Soldini, the film strips away the glamorous Hollywood tropes of extramarital affairs. Instead, it delivers a gritty, deeply realistic portrait of two ordinary people caught between the comfort of their stable lives and the destructive pull of mutual desire. Come Undone Movie 2010

The movie also explores the theme of identity and how it can be shaped by our experiences and relationships. Danielle and Alessandro both struggle to find a sense of identity and purpose, and their relationship forces them to confront their own strengths and weaknesses. Directed by Silvio Soldini, the film strips away

The mental and emotional toll of managing a double life. Danielle and Alessandro both struggle to find a

One of the film's most compelling devices is its use of geography. Milan, where the couple lives, is depicted in cold, sharp lines—modern, efficient, and emotionally sterile. It is a city of surfaces. When Alba leaves, she retreats to Naples to stay with her eccentric, clairvoyant aunt. In stark contrast to Milan, Naples is raw, loud, superstitious, and messy. It is in this chaotic warmth that Alba begins to exhale. The visual shift tells us everything we need to know about her internal state: she has moved from a museum of a life into a living, breathing world.

Come Undone is not a "feel-good" movie. It is a feel-everything movie. It captures the specific agony of a first love that burns too bright and ends not with a bang, but with a quiet resignation that you will never be that happy again.

Silvio Soldini’s 2010 Italian drama Come Undone (originally titled Cosa voglio di più ) stands as a raw, compromising, and deeply human exploration of modern infidelity. Unlike Hollywood romances that often glamorize extra-marital affairs or vilify the participants, Soldini presents a gritty, visually naturalistic look at the economic and emotional toll of forbidden passion.

The 2010 Italian romance drama Come Undone (originally titled Cosa voglio di più ) is a raw, striking exploration of infidelity, working-class struggles, and the overwhelming weight of passion. Directed by Silvio Soldini, the film strips away the glamorous Hollywood tropes of extramarital affairs. Instead, it delivers a gritty, deeply realistic portrait of two ordinary people caught between the comfort of their stable lives and the destructive pull of mutual desire.

The movie also explores the theme of identity and how it can be shaped by our experiences and relationships. Danielle and Alessandro both struggle to find a sense of identity and purpose, and their relationship forces them to confront their own strengths and weaknesses.

The mental and emotional toll of managing a double life.

One of the film's most compelling devices is its use of geography. Milan, where the couple lives, is depicted in cold, sharp lines—modern, efficient, and emotionally sterile. It is a city of surfaces. When Alba leaves, she retreats to Naples to stay with her eccentric, clairvoyant aunt. In stark contrast to Milan, Naples is raw, loud, superstitious, and messy. It is in this chaotic warmth that Alba begins to exhale. The visual shift tells us everything we need to know about her internal state: she has moved from a museum of a life into a living, breathing world.

Come Undone is not a "feel-good" movie. It is a feel-everything movie. It captures the specific agony of a first love that burns too bright and ends not with a bang, but with a quiet resignation that you will never be that happy again.

Popular Searches

Campus Map
Bookstore
Clubs & Orgs
Majors & Minors
Campus Directory
Academic Calendar
Study Abroad
Working at Oxy