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Online gaming platforms have evolved into the new digital town squares. Massively popular multiplayer games host live, in-game music concerts and exclusive film trailer drops, pulling in tens of millions of concurrent global viewers. 5. Cultural Globalization and Cross-Border Hits
The zeitgeist of late March 2020 was defined by two massive media properties that provided the perfect recipe of escapism and social connection. 1. Tiger King: Murder, Mayhem and Madness
The platform expanded rapidly beyond Gen Z, attracting Millennials and Gen X users who were looking for short-form, algorithmic entertainment to break up the monotony of quarantine. The Music Industry Pivots to Livestreaming
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Originally a corporate teleconferencing tool, Zoom quickly transformed into a venue for popular media. Late-night talk show hosts, daytime television programs, and cast reunions utilized the software to broadcast low-fidelity, intimate episodes directly from the homes of the hosts and guests. Traditional Media: Paralysis and Pivots
When creating or consuming online content, quality and relevance are essential factors to consider. High-quality content can engage audiences, build trust, and establish credibility. On the other hand, irrelevant or low-quality content can lead to a negative user experience and a loss of interest.
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The behind Netflix and TikTok user growth during March 2020.
The long-term effects of this shift are still being felt. As the pandemic recedes, it is unlikely that consumer behavior will revert to pre-2020 norms. The entertainment industry has been forever changed, with digital platforms now at the forefront of content creation, distribution, and consumption. The success of streaming services has also led to new opportunities for creators and artists, who can now reach global audiences without traditional industry gatekeepers. The Music Industry Pivots to Livestreaming The trends
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The only thriving sector of legacy media was . The NCAA March Madness tournament (second round games played on 22 03 20) drew 9.2 million viewers, proving that live, un-skippable, appointment-based content was the only bullet left in broadcast’s gun.