Jason Nevins Its Like That Raxon E Repack - Run Dmc

: Even Jason Nevins himself has acknowledged the track on X (Twitter) , confirming it’s an "edit/boot" by his "bud Raxon". Run DMC vs. Jason Nevins - It's Like That (Raxon Edit)

The Evolution of an Anthem: From Queens to the Global Dancefloor

This keyword represents the . While millions stream the generic version, a few hundred dedicated fans seek the perfect, obscure iteration.

The cross-pollination of genres has historically yielded some of the most monumental moments in electronic and urban music. When analyzing tracks that single-handedly altered the trajectory of global dance charts, the stands as a towering milestone. Decades after its original release, this timeless crossover continues to undergo contemporary transformations. run dmc jason nevins its like that raxon e repack

To understand the remix, you must respect the original. When Run DMC released It's Like That / Sucker MCs as a double A-side single in 1983, it changed everything.

In the official history of the Jason Nevins remix, there is no credited producer, co-remixer, or vocalist named Raxon. So who—or what—is Raxon E?

Before diving into Raxon E’s version, it’s essential to understand the source material. The original It’s Like That (1983) was a stark, minimalist rap track produced by Larry Smith and Russell Simmons, with Run-DMC’s signature pounding drum machine and sparse lyrics about social struggle. : Even Jason Nevins himself has acknowledged the

For electronic music DJs, producers, and crate-diggers tracking down this specific version, understanding the lineage of this track reveals why it remains such a coveted peak-time weapon.

Before diving into modern re-packs, it is essential to understand the magnitude of the 1997 remix.

The Historical Blueprint: Run-D.M.C. and the 1997 Jason Nevins Revolution While millions stream the generic version, a few

Leo knew the legend. In ’97, Jason Nevins had already flipped “It’s Like That” into a global house anthem. But before the official version, there was the Raxon E Repack — a session where Nevins, under a pseudonym, stripped the track to its bones. He replaced the beat with a glitching, industrial-locomotive rhythm. He ran Rev Run’s “Unemployment at a record high” through a blown guitar amp. He added a hidden third verse from D.M.C. that never made any album — something about digital ghosts and “repackaged souls.”

Edits often add longer intro/outro loops (extended mixes) to make mixing between techno tracks easier.