Released globally in , this anthology represents a unique period in European cinema where high production values, experimental editing, and uninhibited storytelling intersected. While Tinto Brass is the primary curator and creative force guiding the project, the director's chair for individual short segments features notable artistic collaborations, including contributions from renowned erotic photographer and filmmaker Roy Stuart, alongside directors Stefano Soli and Francesco Maria Dominedò.

The primary segment follows a young woman named Giulia, portrayed by Anna Bielska. The narrative explores her social interactions and her personal journey toward self-discovery. The segment is notable for the inclusion of actress Tina Aumont and is often discussed for its dreamlike visual quality and focus on the protagonist's perspective. 2. A Magic Mirror (Specchio, Specchio delle mie brame)

Reconnecting with "the one that got away."

The "short story" format allows Brass to focus on one central fantasy: Julia’s liberation through voyeurism and eventual transgression. The narrative climax (pun intended) is not a random coupling but a carefully choreographed dance of power reversal, where Julia takes control of her own desire.

A critical analysis of Brass’s work often centers on the concept of the "male gaze"—the idea that women in film are often presented as objects for male pleasure. However, in his best work, including "Julia," Brass complicates this theory. While he is undoubtedly objectifying the female body, he simultaneously grants the female character agency. Julia is aware she is being watched, and she enjoys it. She performs for an unseen audience, breaking the fourth wall of privacy.

Characters are often depicted as self-empowered individuals with personal goals that exist outside their romantic interests.

A story dealing with a "difficult relationship between a brusque man and a fragile woman".

By 1999, the global landscape of media distribution was shifting. The dominance of VHS was being challenged by the emergence of DVD technology, and premium cable networks were hungry for content that fit into late-night programming slots. Tinto Brass, having already established himself with high-profile features in previous decades, utilized the anthology format to curate various stories under his brand.

Focuses on modern dating and mental health.

This vignette centers on a narrative involving family dynamics and the contrasting personalities of two brothers. Starring Loredana Cannata, the story utilizes psychological tension to explore themes of vanity and character judgment. 3. I Am the Way You Want Me

The use of short-form vignettes allowed for experimental storytelling techniques that might not have sustained a feature-length film.

During the late 1990s, the adult entertainment landscape was shifting rapidly due to the rise of DVD technology and cable television. Brass capitalized on this by curation. Rather than directing every frame himself, he acted as a presenter, supervisor, and creative godfather for a series of short films. This format allowed for tighter, punchier storytelling that stripped away the padding often found in feature-length erotic dramas.